Showing posts with label Gelli. Show all posts
Showing posts with label Gelli. Show all posts

Friday, 9 November 2018

Playing with Pears


This week I have been playing in a black A6 sketchbook with pear images. Using my small Gelli Plate, some tiny cut outs and a limited range of acrylic paint I managed to fill up quite a bit of my time.  Also got out my Neocolour I and II crayons to add a bit more colour. Loved the little pears on the lefthand page once I had enhanced them. I forget I can actually do things!


This print was a happy accident. It was a mixture of grey paint over the top of some white that had dried on the Gelli Plate. The ghostly image appeared because I did not press down hard enough when I printed onto the black paper. The pear cut outs I used were going to be a concertina that opened out in the book, but did not really work, so back to the drawing board on them.


From a pile of previously printed papers I found the orange pear which had been printed using an actual pear sliced in half. The bottom pear was created using an expanded sponge print block with white acrylic which was then crayoned over to add colour.


A bit of gold Gelli Plate printing on the corner and a collaged pear from a previous printing session, which probably had the use of a stencil to create the background pattern and a sticky back funky foam print block stuck to a piece of foam core board for the pear outline.

Saturday, 20 September 2014

A Gelli Good Morning

Friday was a grey day and I was not in the right frame of mind for stitching curtains so I got my Gelli Plate out for an hour.  I had picked up a lovely Acer/Maple leaf earlier in the week when I had been out and about and had been itching to see if I could get a good image from it ....

 I think I used Golden Payne's Grey and Quinacrodine Ayzo Gold Acrylic on these two
Below is several prints on top of each other from the Gelli Plate prior to the leaf being removed.  I believe the mottling is caused by the fact that I had used a baby wipe to clean the surface of the plate and it leaves an oily residue. 

Then I moved on to half a shallot ...

Gelli Print

Direct print inked up on the Gelli Plate
The shallot looked more like a goosegog!!  Was quite disappointed as the onion we had used with Hilary Beattie had been a huge success.  I was also using Lumiere acrylic paint for these.  The backgrounds vary sometimes it is from the Gelli Plate but I also have a habit of cleaning off my roller over the top of prints or adding a wash of Inktense to add interest.